Category Archives: blog

12 Blogs of Christmas & guest blogger/author Sarah Lane

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Sarah Lane is the author of The God of My Art, the story of a young woman’s journey to become an artist and a quarter finalist for the Amazon Breakthrough Novel Award. Lane’s short fiction and poetry have also featured in a number of literary magazines, including The Antigonish Review, Roar Magazine, and Quills: Canadian Poetry Magazine.

Lane’s upcoming young adult novel is a psychological read about a cerebral seventeen-year old who struggles to learn salsa dancing only to be shown up by her doppelgänger. (You can sign up on her website to be notified when it comes out).

Excerpt:

Sarah Lane hopes you will enjoy listening to this reading from her young adult crossover novel The God of My Art. This chapter is taken from near the end of the book, when Helene visits her mother over the winter holidays. Watch the video here.

Surrey Girl. Suite of Surrey poems for Sound Thinking Literary Cabaret

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The big move is finally accomplished, chaos ebbing as boxes disappear but absolutely no time for writing or blogging. I am preparing to read at the Sound Thinking Literary Cabaret on Saturday, as part of Voicing the City In/verse: Reading Surrey and the Super-Suburb, a two day symposium presented by Surrey Art Gallery, in partnership with South of Fraser Inter Arts Collective (SOFIA/c) and Simon Fraser University’s English Department. In the process I find myself traveling down Memory Lane. Nostalgic. Naturally.

I am a Surrey girl and the “super-suburb” is my old stomping ground, specifically Cloverdale, White Rock and Langley, back when you could build bonfires and party on the beach. We used to dig for oysters and clams too, dodging Gypsy Wheelers all the way home. I abhorred bikers and greasers, who seemed to dominate our teenaged landscape. Surrey wasn’t quite as diverse then.

Indeed we felt as though we lived on the on the periphery of Real Life, and could hardly wait to move to The City. As mighty as the Fraser is, I longed for the ocean, or, more ocean. To be surrounded by ocean. And mountains, because though I could see them, they were so far away, as distant as a mirage shimmering on the horizon.

I loved the vast, bucolic Fraser Valley though: roaming its back roads, idling on the banks of the Nickel Mackel River getting high, Holsteins grazing, once coming over to investigate, startling us with their girth, inquisitiveness, stench. We skipped school a lot, anxious to escape everything. It may have been prime farmland, but that Surrey was undomesticated, a fantastic place to grow up. Run wild.

That place-and the vigor of that place-has stayed with me, wherever I have gone, been, including some pretty mean streets. As it factors greatly into my strength as an individual, I thought it will be appropriate to share a few place poems.

 

I lived for a time on a horse ranch on Pacific Highway, feeding and watering purebred Palominos in exchange for rent. This is from Sideways.

 

SUM OF THE PARTS

 

I sit on the fence, tomboy

pondering the plight

of the eunuch,

the pinto, recently gelded.

The studs nip, nag and ride him

‘til he nearly breaks his leg

in a badger hole.

 

His altered state

spooks the stallions.

I am too young

to know the difference

but they know,

as well as any male

how heady the power is,

how it lathers beneath a mount,

how hard it is to navigate

with worn out flanks at half mast,

spurs more shiny than solid.

 

I gnaw on a stalk of flax,

spitting up pieces of us.

Body parts add up

to carcass value.

Reason enough

to detract, degrade, distort.

 

Kick gone,

the pinto cowers beneath the oak,

sunshine streaming through his skeleton

onto a plain that no longer exists.

 

Eventually I did leave the burbs and wound up in a series of cities, including Vancouver, landing in its punk rock scene along with fellow Surrey-ites Art Bergmann, John Armstrong, Bill Scherk, Gord Nicholl and Jim Cummins. This poem is inspired by my mother Corona, a Quebecois transplant who became entirely assimilated.

 

WILLOW GARDEN

 

Lazy river, bed of roses,

blue butterflies float above

black currant grapes,

leave tiny rings of white

powder on the fruit.

The willow reminds me

of our mother.

Like all mothers

she was beautiful once.

 

The kettle whistles,

her ashes upon my sister’s mantel

though Martha swears to see her

in the garden nearly every morning.

Her spine stiffens

recalling our mother’s deeds.

 

I left home to forget, remember?

To search and destroy.

I left home with a burning belief

in nothing,

including punk rock.

I have come to curse the day

I entered the surf

at the deep end of California,

the way I refused

to come up for air.

 

It was always too soon

or never enough,

but she waited

knowing I was so much like her

that river or ocean

I would not drown,

not all at once.

 

From Three Blocks West of Wonderland. This was written in 2009 so some of the cultural references might seem quaint.

 

NIECE ONE AND NIECE TWO

 

Girlie girls. Dollsome, though feelin’ fugly today.

Weed tough. Bug repulsed. Omigod.

Army ant invasion! Three in the bed,

one in her souvenir Las Vegas mug. Ewwwww.

Deep bling, shoe, handbag yens. Boy irrational.

One pierced, inked, the other not.

One smokes, the other quit.

One dances, the other won’t. Equestrian.

Determined to surmount rodeo. Reformed tweaker.

Hard. Delicate. Her sister the dancer,

if opportunity arises. Bodacious if required.

If only she could acquire status without an audience.

Super happy though! Get to chill sometimes, between feuds.

Sipping vanilla lattes, they diss rivals, friends,

 

scattershot in their skank attacks. At night a dream

flash-cards the next day’s tactics. They will not rest

until the furies within are released, Kelly Ellard fashion.

Not! Calamity Jane and Princess Pink, divergent

as sisters must be. Gems, both revealing their facets

judiciously. Grew up in haste, in the heat of battle

for custody. Struggle to make their beauty

 

marks, forever hearing they’re fat. Not phat. It bites.

Yeah. Whatever. Toil as clerks to purchase the gear.

Uggs. Mac. Little tank tops, big leather belts. Hoop

earrings. Beaded, embroidered tunic tops. Neo-hippie shit.

Fussies. Take a little taste. Gross! Toss the rest. Old boyfriend

boring, new one a bad boy replete with muscle car, death wish.

Played tiddly winkes with an ATV, maimed his little brother.

 

Lime jello shooters. Wicked! Black hotties, swooning

over Usher. Found out cornrows hurt. Itching

for the next phone call, photo op. Hear gangta raps.

Shave. Text. Flext. Defoliate. Swap MP3s. Wax. Body wash.

Flip-flop into formal occasions. Live in fear

of brown rice, lentils, radicchio. Subsist on watermelon,

grapefruit. Count carbs. Suck orange popsicles. You can take

the girl out of Cloverdale, can take mustang out.

Feed her Caesar’s salad, don’t tell her anchovies are fish. Yuk.

Take her to resorts, spas, don’t buy the travel guides. Novels.

Auntie reminds them. Check your drinks. One Vansterdam twit

pop found a dosage in her screwdriver. No. She is not

your bootlegger. Yes, she remembers what it was like

 

to be a teenager, her shock at discovering whaling, elephant

safaris. Poaching methods. Wired lab bunnies. Ethiopian famine.

Leg-hold traps. Still not certain she’s assimilated it.

Her sorrow, deciding she was complicit, could not change

any of it. Blistering convictions. Belligerent. Raging

feminist rants, picking fights in the bar, no one carded back then.

Same hair, bellbottoms. Spares them a lecture on revivalism.

Not easy, getting noticed. Swarmed, before it was called swarming.

One long semester. Revolt on the home front.

Status quo, tables upended, parental despots toppled.

Near lethal collision on Colebrook Road, crippled

with loathing. Night owl days. Pacing insomniac

seesawing up. Seesawing down.

Homicidal, suicidal thoughts

turning to threats. No one listened.

 

APPLETON

Hookah squats on carpet, Buddha-

esque. Undulating spirals of sapphire

smoke hula up her nose. That buzz.

That buzz that slows your blood,

 

calls you back to bed like a lover.

Soothes your inner asshole.

BC bud. Best bud

in the world. Worth risking jail for.

 

High-resolution satellite images.

Narcs’ warrant executed Tuesday.

Grow-op raided Wednesday.

Dozens of firearms. Five thousand plants.

 

Big bust for a small town, says Constable Cook.

For export, for sure. Cultivation facilities dismantled.

Straight people relieved. Green party over,

but Zoe cried. It was the best job ever!

 

Dope dealers pay well. Her boyfriend

sold product at school. Their responsibilities

included digging a tunnel under the border,

blaming black fingernails and muddy jeans

on dirt biking at the gravel pit.

 

Parents were shocked. We thought she was

on Facebook, chatting. We thought he was

on the Internet, with her, boy’s father chiding,

it’sAPPLEton, son, not Marijuanaton!

 

 

L7-Reunited

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Go see them! I used to run with Suzie and Donita after meeting at the LA Weekly where we worked with a lot of other musicians and misfits. L7 in Vancouver, Wed, Nov 4 at the Rickshaw Theatre. The reunion will provide a good opportunity to celebrate their music and my move back to Vancouver, this being our last (frenzied) week on Bowen Island; working hard to remain calm.

“I Saw You” Found Poem-Found A Home Too!

Laura Zerebeski http://laurazee.com/
Laura Zerebeski
http://laurazee.com/

At last. We found a place! It’s too small and expensive but we can keep our dog and I like the neighbourhood, Commercial Drive, officially Grandview/Woodland. So relieved the limbo is over. There’s a park close by so taking Brinda for walks won’t be difficult. The place has a cute little balcony with a view of the city. I can bring my hummingbird feeder and bistro set. Will have to be creative with space and storage. I’m in serious purging mode; sold the barbecue and chiminea, clearing out my closet, piles of stuff to donate, hosting a moving sale next week. Back to the Big Smoke and we are coming full circle, my son born in a house on 1st near Victoria, nearly 21 years ago, my artist self *spawned* in a basement on 34th, near Victoria, less than 20 years before that.

So no time to write-what else is new-but I came up with this recently. A found poem. Ever read those ads in the back of the Georgia Straight? Always good for a giggle. Human desire truly knows no bounds.

I SAW YOU

Girl reading a book.

Voluminous yellow scarf.

First name begins with “K.”

Big black SUV.

Born a ginger, I could tell.

Hypnotic regression.

Crushing!

Psych night.

Grace on wheels.

Passing in the rain.

Dark hood and jeans.

Seated next to me at the hockey game,

shared popcorn and a Kinder Surprise.

Foggy falls at Seymour, we rode the chair together,

sill cursing myself

for not getting your phone number.

Tattooed blonde on the bus to Horseshoe Bay.

Criminal. I like you. A lot.

Teacher in Surrey, living in Van.

You had a giant bottle

for making mead.

Whistler Gondola Saturday morning,

embarrassed about my runny nose.

You asked if I knew of any liquor stores open

past 6 on Sunday night.

Hottie tequila boy.

Saw you working the front desk.

Skytrain to Downtown/Soil Erosion Papers.

You were so gorgeous I couldn’t get up the nerve.

Cowboy in white hat driving white Corvette.

Yaletown brew pub smiles.

Mountain Biking/Tennis Court/Pit Bull.

Sunset Beach @ Sunset.

Red Bull poolside party.

I liked your glasses.

Davie Street block party.

We screamed for ice cream.

Rent cheque. Rex I am obsessed.

Fairmont Pacific Rim lounge late last night.

Coffee cutie.

Instantly attracted to your energy.

We came very close.

 

Girls With Guitars & *The Truth*-Town Slut’s Daughter excerpts and talk…

…I’m preparing for Word Vancouver, Sun, Sept 27 at 1:30 at Library Square and SFU’s Early Punk Rock Scene Discussion, with Bloodied But Unbowed director, Susanne Tabata, Oct 13 at Special Collections, SFU Library in Burnaby

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bev davies photo

 FREE TO IMAGINE (Redux)

 “Honesty is not synonymous with truth.”-Vera Parmiga, The Departed

This book took a long time to write and the road to publication, arduous. I can’t recall exactly when I started but my son was around 6 or 7 and he is now 20. If I hadn’t been homeschooling a child with special needs, no doubt it would have taken less time but I often got discouraged and shelved it for years at a time. Finally in 2010 I went to Sage Hill Writing Experience to be mentored by award winning playwright and novelist Terry Jordan. I completed the manuscript. Then spent a couple of years, or wasted a couple of years, dealing with an agent who seemed to think the story was YA, and a publishing company in utter tumult until finally I got fed up and in punk fashion, went DIY. In feminist fashion, I will not be denied, set up Howe Sound Publishing and released The Town Slut’s Daughter on Amazon.

Seems to be a dirty word these days but this dialogue is an example of some of the book’s feminist ideals:

Fiona threw down three tickets to the St. Valentine’s Day Massacre emblazoned with Hit Someone You Love.

“Great!” said Rita. “What’s with all the misogyny? I thought the scene was supposed to be so egalitarian.” She grabbed the kettle. “Well, I suppose it is if you happen to be young, white and male.”

“Maybe we shouldn’t go.”

“Maybe we shouldn’t. Who is Transformer Productions, anyway?”

“I don’t know. Never heard of them. But it’s a great bill. Rabid, Pointed Sticks, SubHumans, K-Tels.” Angus was a hero for digging up a new venue, O’Hara’s, a derelict nightclub on the pier at the foot of Main. Fiona’s dad remembered it from when he was a young buck roaming the streets. “I wanna go. We gotta see the K-Tels.”

“Okay. Okay. We’re doing our bit to fight sexism, right? We play electric guitars.”

Rock-including punk rock- is a boys club.

A lot of the discussion around my book concerns whether it’s autobiographical or not, which I find irritating. Isn’t that inferring that I’m not capable of using my imagination? To invent? Well, writing is vexing on many levels but I don’t understand all this post modern fuss over genre. As hot as memoir is, I didn’t write a memoir because honestly, my life is not that exciting. And I maintain there is more truth in fiction. It grants one freedom. Maybe I’m a coward, for I do hide behind fiction, wear it like a veil, but it is also liberating. Though the The Town Slut’s Daughter is based on my life experiences-which grants it authenticity-the majority of the story  is feigned. I can say unequivocally that I am not Fiona and Fiona is not I. (I fear she is smarter than I am. ) If you want reality, read my blog, One Life, at heatherhaley.com wherein I stated, “Our hunger for realism, hence the reality show phenomenon, and rise of the documentary fuel such expectations, pressure, to write a memoir. I never doubted my instincts, knew I was framing narrative within a novel. Works for me. Autobiographical novel also seems a contradiction in terms. Truth is relative and “honesty is not synonymous with truth.” Let the critics and pundits postulate ad nauseum, I need to focus on process.

I’ve taken an approach similar to EL Doctorow in Ragtime by blending real people and events with characters and things I’ve made up. As I told writer friend Justine Brown the other day, I chose to keep many of the band names because it would be difficult to conjure up better ones. DOA, Dead Kennedys, Dishrags, Subhumans, Devices, Rabid, Pointed Sticks, Young Canadians, and the Zellots, which was my first and all-female group-are portrayed along with various real life events. This scene is based upon the first time the Clash played Vancouver, at the Commodore. I idolized them and so did most of my punk rock comrades. We were thrilled to say the least. By the way, though the novel is in third person, we often we hear directly from Fiona, eves dropping in on her thoughts and feelings in first person. From part one-Girls With Guitars-it could have been titled Punk Rockers in Love. Not!

Does he do this she wondered? Conjure up last night, the things we did, feel an after-shudder? Waiting to see Emmett Hayes, was . . . agony! Fiona couldn’t eat. Think straight. Gawd I hate this! Half an hour late. Again. She diddled her guitar, scanned a book, traipsed back and forth to the fridge, swinging wildly between anger and anxiety. Why doesn’t he call? That dink! She could have gone with Rita and Shannon. She could have spent her hard earned cash on something besides a new silk bra and panties. That bastard. Then, still cursing, Fiona heard his obnoxious Porsche engine out front and relief coursed through her limbs. She barely resisted the urge to run to the car.

“Sorry I’m late,” he mouthed, the Clash’s I Fought the Law blasting from his Blaupaunkts. “Did you hear? The Clash came out and played soccer with us!”

“Yeah! Who won?”

“They did, of course. My shins are covered in bruises.”

Emmett yarded on the gears pinball wizard style. Soon they were pelted with fat raindrops. He pulled over immediately to put the top up. They cruised the block repeatedly in search of the safest parking spot for his precious steed of steel. At last they entered the fading art deco grandeur of the Commodore Ballroom, Emmett waving tickets at the doorman, breezing by security like a diplomat. Christ. He must have been left under a cabbage by mistake.Emmett surveyed the room, refusing Fiona’s hand.

“Fuck! Look at all the poseurs.”

Fiona spied Dennis across the room, stomach tilting at the reproach in his face. A young woman in a booth flanking the stage sat sneering.

“Emmett, who’s that girl glaring at us?”

He ignored the question, wandered off, Fiona following.

The Clash had an excellent DJ spinning a killer mix of ska, punk, reggae and dub. Fiona waved to Shannon and friends. The place was jammed with every die-hard in the city, slam dancing on its famous ballroom floor, originally designed to make any clodhopper hoof it like Fred Astaire. The Commodore had character all right and it was the perfect size. Fiona hated arena shows. The Dishrags opened. It was inspiring to watch fellow females wailing on guitar. They finished with a blazing rendition of London’s Burning. Next up, Bo Diddley. Emmett said the Clash brought the old guy along as a way to pay homage to one of rock and roll’s originators. Fiona shrugged.

“I’m too young for nostalgia.”

Unfortunately, the Powder Blues were his pickup band, old fart-guitar god wannabes and though playing with a legend, forced everyone to sit through a long, boring wank session.

“Fuck this. I wanna see the Clash!” Fiona was not alone in her sentiments.

Shannon walked over and pulled her aside. “See that girl? That’s Electra. One of Emmett’s girlfriends. He told her he was bringing her tonight.”

“Electra! Sounds like an Italian scooter.”

“She’s weird. Really mad, says she’s gonna beat the crap out of you.”

Laughing, they walked over to Emmett. He lowered his drink, deigned to look at them, insisting he hadn’t invited anyone but Fiona. Clouds of tension were gathering on the dance floor as well, burly security guards manning the barriers. Finally, the Clash emerged, a tidal wave of bodies surging forward, the band opening with I’m So Bored With the U.S.A, Emmett off the hook. For now.

Beer. You only rent it. Fiona ran to the bathroom between songs, in and out of a stall quickly. Electra appeared, strutted over and squinted up into Fiona’s face like a Pekinese.

“Hey bitch! Keep your paws off Emmett or I will kill you.”

Looking around, Fiona laughed. “Where’s the hidden camera? Hey, Eeeelectraaaa. I think you’d better stay away from Emmett.”

“Wanna fight about it?”

“Hah! I could squish you like a bug. Fuck off! This ain’t junior high, you know.”

What Electra lacked in size, she made up for in attitude, fueled by four-inch stilettos, garters, fishnets, black leather mini skirt, all of which had nothing to do with punk and everything to do with Emmett.

Electra spit at her. Missing her target—Fiona’s face—the gob splatted onto her clavicle. Fiona looked down. Nearly blind with fury, she handily hoisted Electra up by the lapels. Shannon barged in. Fiona slammed Electra into the wall, back of her head banging the paper towel dispenser. Electra yelped.

“You bitch. You fucking whore!”

Shannon grabbed Fiona by the arm. They walked out dogged by the undaunted Lilliputian. Fiona barreled over to Emmett.

“What were you thinking?”

“I told you! I didn’t ask her. She just assumed.”

Wee Electra was at the bar again, glowering.

“Get lost, you skanky broad!” Emmett hollered at her.

Snotty pose pierced like a balloon, Electra flumped away, people laughing in her wake.

“God Emmett you’re an asshole!”

“Hey, I brought you. What do you care?”

“I care because it’s the same way you treat me. Like shit!”

“Fuck this!” He walked away in a huff.

Fuck this all right! Fighting tears, determined to revel in this night to remember, Fiona formed two fists and shoved her way through the crowd, jabbing, elbowing, bashing. She glanced back. Emmett gone. Naturally. Though the faces on the floor were familiar, the horde formed one huge alien, reeking of stewed leather and body heat, Clash so loud they cloaked the clamor of thumping heart, roaring blood. Fiona was rammed. Hard. She heard the wind go out of her lungs, body boxed about as if by bulls. She slipped, nearly going down, floored by the vision of her fractured skull ground into the boards by dozens of tightly laced combat boots.I am too black in the heart to fall! She carved a line out of the crush to the foot of the stage, stared up at Simonon. He was perfect—angled cheekbones, mouth gaping open like a Lego-focused kid, long, lean muscles. An art student apparently, before hitching up with the Clash, couldn’t play a note till Mick Jones taught him. Like John Lennon. Must be a British thing, that link between art school and rock. So why did I let Trent talk me out of art school? Oh my God. Simonon! He’s looking right at me! Got a girlfriend, according to Shannon, some tart who writes for NME. Strummer strained against his Telly, snaking the mike stand with his body. Tossing his guitar onto his back, he leaned over the crowd, ranting, railing.Loose-kneed Mick Jones was running, leaping, boinging all over the stage, carving out notes with an axe, his golden Gibson Les Paul. Goofy booster Dennis vaulted onto the stage during Career Opportunities, ricocheting off amps and various Clash members, security goons giving Keystone Cops chase. Strummer even let Dennis commandeer the mike and bray out the chorus with him, Fiona feeling a twinge of envy.

 

DREAD & GREED IN VANCOUVER & VIGOROUS ANTHOLOGY, “THE REVOLVING CITY”

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Great timing! Finding an affordable, pet friendly apartment in Vancouver is proving to be impossible. We may be forced to place our beloved canine companion Brinda in a foster home, and or look in the burbs. Though I conduct a lot of business in the city, it’s been a while since I’ve resided in the city. We’ve gone from 5 acres, to 2.5 acres to a bungalow on a lot and now to an apartment. If we can find one! Vancouver is outrageously expensive, rents high, vacancy rate low, with less than 10%  pet friendly. The majority of suites are uninhabitable, dark, depressing, low-ceilinged basements divided into as many cell-like rooms as space allows. “Dorm style,” which translates into a warren of bedrooms with one shared kitchen and bath. I’ve wasted a lot of time and ferry fare driving over for viewings only to be disappointed, frustrated and appalled at the greed.

Though Brinda is not an official service dog, she has been instrumental in our autistic son’s development, providing emotional support and a focus, a way to filter out sensory overload. Nobody cares, far as I can tell, the bottom line always profit. Of course, if we had money, it would be no problem. We’d just buy a condo. At least it wouldn’t sit empty like so many condos in Vancouver. Meanwhile people sleep on the streets.

Is it ironic that I am one of 51 poets featured in a new anthology called The Revolving City? Looks like it’s going to revolve right past me. And I can’t help but think of Devo and devolve.

The launch party is Sept. 23, Room 1400, SFU Harbour Centre, 515 W Hastings St. Hosted by SFU Public Square as part of Word Vancouver and the 50th anniversary of Simon Fraser University, in collaboration with Lunch Poems at SFU, The Writer’s Studio and Anvil Press. This is from the press release: “The Revolving City: 51 Poems and the Stories Behind Them features a who’s who of the west coast poetry scene. The poems range from the lyric to the experimental and address the theme of disconnection in an urban environment. The collection also includes short reflections, written by the poets themselves, providing readers with an intimate insight into the inspiration and meaning behind the poems. Together, this collection seeks to build community, extend poetry to new audiences, and reflect the rich diversity of the poetry scene both local and distant, featuring poets from the Lunch Poems at SFU reading series, edited by much-lauded writer and director of the Writer’s Studio, Wayde Compton, and award-winning poet Renée Sarojini Saklikar. Available in fine book stores everywhere or at Anvil Press.com.”

I’m more comfortable write poetry than poetics, but here is my contribution.

FLESH POT 

Born, muscle bound,

Backboned, map, matrix-

Mother intact

Into families, slums

 

Manors, private

Security firms, institutions.

Pirates or the pious

We flourish. Raw teeth, germs,

 

Clubfeet do not impede us,

Rank and garbled speech fleeting

As tin Jeeps. Our struggle

Barbie Doll drama, tumult banal,

 

Pain prosaic, strife fueling ripeness,

Gauntlets passed through swiftly

Until the day we drop. Nominated,

Cornered, required to wither

 

Under the gun,

Succumb, for we remain

That tender, precious human

Flesh terminators aim for.

 

The news. As dismaying as the news may be, it infiltrates. I am no longer surprised that nothing changes, progresses, the word progress quaint. With all the information we digest daily, we know we are not moving forward, that we are merely swept up. To preserve a stance of one’s own is heroic, a valiant albeit futile effort, for the individual cannot withstand an avalanche of humanity. The life force. Our flesh, our pitiful armor, is as ephemeral as our lives. We are equally invincible and weak, eternal and temporal, resilient and susceptible, susceptible to the machinations of machines, technology. Human nature is a constant, though we are as tough and logical as salmon swimming upstream, as evolved as a grizzly bear. We are driven, brilliant, vainglorious and misguided as Frankenstein. I might have titled it Natural Order. That’s all the poem speaks to. Portrays. The flesh came first, flesh responsible for the monster.

F R E E D O M !

BirdOnTheRing

For everyone involved. Freedom just might be our greatest desire. A friend asked what I think about the Ashley Madison debacle. It’s complicated. There are morals, and there are ethics, but these self-appointed, self-entitled hacktivivists are self-righteous assholes. Hypocritical purveyors. What makes them the arbiters of morality? Seems to me there are far greater social problems to address than extramarital sex. And, who put them in charge anyway? It’s certainly puritanical, Orwellian. Their actions are as despicable as any sinner’s and entirely self-serving. Look what we can do, aren’t we clever?

Ultimately, I could give a flying f**k. Human sexuality and the institution of marriage are incompatible. Divorce rates prove it. I understand mating and pairing up. Nobody wants to raise children alone. No one should have to. I understand love, family, community, and relationships are vital, but can find no advantage to being hitched. Not a one. But, that’s just me.

Can we be adults now? Not everyone needs to be married. Life is short, and forever-as in ’til death do us part-a long time, monogamy often unsustainable.  I’m tired of the futility of guilt, of people having to suppress their needs, or being persecuted for said needs. The entire enterprise is irrational, but longing, yearning, I understand, passion and drive fundamental aspects of human nature.  We are only human after all. That’s what I think.

“Heather Haley-Poet.” How did that happen?

sideways

Certainly I didn’t plan to become a poet. I didn’t grow up thinking, when I grow up I’m going to be a poet. But in essence, it is who I am. I wasn’t exposed to literature. My father read Popular Mechanics and my mother, True Confessions. Though, being an Irish queen of blarney, Corona could spin a mean yarn.

I didn’t get a degree. I dropped out of university and ran away to join the punk rock circus; sang, wrote songs and poetry which I performed in coffee houses and nightclubs. When I returned to Canada, in a fluky way, published my first collection, Sideways, with Anvil Press. Three Blocks West of Wonderland came out with Ekstasis Editions in 2009 so I’m not exactly prolific, though never cease writing. In a haphazard way, I’m becoming “widely anthologized;” Verse Map of Vancouver (Anvil),  Rocksalt: An Anthology of Contemporary BC Poetry (Mother Tongue Publishing), Alive at the Center (Ooligan Press), FORCE Field: 77 Women Poets of British Columbia (Mother Tongue Publishing), The Wild Weathers; a gathering of love poems (Caitlin Press), The SpokenWord WorkBook (Banff Centre Press), Where the Nights are Twice as Long: Love Letters of Canadian Poets (Goose Lane Editions), The Other 23 1/2 Hours, What Your MFA Didn’t Teach You (Wolsak & Wynn), and the forthcoming Simon Fraser University’s Lunch Poems Anthology. Is my approach irresponsible or irreverent? Due to a bad attitude perhaps and Sideways might be entirely appropriate.

I’ve worked in many genres; journalism/reviewer, non-fiction/blog, prose/novel and written several screenplays.  I always go back to poetry. Or, come back to poetry.

Recently I completed a rough draft of my latest manuscript, Detective Work. Why? It’s in me, verse. And I have no idea how it got there.

MY WEEK

Fed a germ.
Old dog.
Spooned flies out of yogurt.
Dislodged ants from the toaster.
Entered words.
Fought for blackberries.
Free stuff.

Doctored bites.
Signed language.
Collected greens,
Heritage tomatoes.
Meme parlanced.
Registered my feelings.

Last house on Husband Rd.
Prolific bamboo décor.
You can sit in a resin chair
Forever, white ones
Especially war strong.
Too late in the week now
To do anything nice.

Or, nicely.
Too late in our life spans
For anything,
Though he’s still trying
To Xerox his ass,
Moon earth.

 

Literary Happenings & Lost in an Eerie Orange Haze

LRCv23v06-Jul-Aug-2015-cover-CMYK-332x465

Or distracted, at the very least. The worst of the heat wave is over, smoke from forest fires clearing. Naturally it rained the day of my summer soiree but we still need more to dampen drought conditions. Considered wearing a mask with air quality comparable to Beijing’s, but as friend Nathaniel Poole pointed out in his blog, Loose Moorings,  the dread the eerie orange smoke instilled in people is more likely due to their own fears.  He contends that fires are a normal part of the ecosystem. For me it’s been a nuisance, the fallout annoying, though on our island, a major conflagration would be devastating. We are woefully unprepared and have a small, volunteer fire department.

I have no time to write, between working, house hunting and dealing with government bureaucracies, clawing through red tape. Ditto book promotion, though I recently appeared at the Storm Crow Tavern Reading Series, hosted by Sean Cranbury, and sold a few copies of The Town Slut’s Daughter. I’m trying to complete Detective Work, a new collection of verse. About three quarters of the way there, this last bit constitutes a formidable hurtle. Can’t seem to compose but I accomplished a little editing today.

The Goose Lane anthology that I’m featured in, Where the Nights are Twice as Long, got a good write-up and made the the cover of Literary Review of Canada. The author Méira Cook gets it, what editors Dave Eso and Jeannette Lyons are trying to do. By arranging the correspondence according to the poet’s age at the time of writing, the experience reveals much about love’s vexing nature, poets and Canada. Fascinating, and I am savoring this read.

I was happy to hear from the folks at Rebus Creative who invited me to read at Word Vancouver, AKA Word on the Street, in September. An esteemed festival, I’m looking forward to it. The gathering also provides a good opportunity to catch up with friends and associates, as it seems everyone and their dog comes out for it.

Also heard from indefatigable Mona Fertig of Mother Tongue Press who has published my work in several anthologies, regarding their forthcoming, THE LITERARY STOREFRONT: THE GLORY YEARS, Vancouver’s Literary Centre 1978-1984 by Trevor Carolan. Mona ran the place in Gastown. I believe the first time I was ever published was in their newsletter and I was thrilled. Swept up by punk rock along with poetry, this was right around the time I started my first band, the Zellots and played the Smilin’ Buddha. Heady times, for all of us. As BC Bookworld’s Alan Twigg states: “Just as Alan Crawley and Dorothy Livesay organized Vancouver writers in the Thirties and Forties, Mona Fertig took the job seriously in the late ’70s and early ’80s, long before city culture bureaucrats were upbraided in 2012 for allocating less than 2% of their arts budget to literary arts. A Literary Arts Centre will finally come to pass, but Fertig led the way.” The launch is at the Western Front Oct 10.

Beyond Biology-Happy Fathers Day

Me&Kyle

I honour good fathers because my father was not. Danny tried but his parents damaged him so badly he couldn’t express love or approval, probably more vital than food and shelter. Years later I discovered that due to paternity fraud, he actually wasn’t my biological dad. Maybe he sensed it too, maybe that’s why he withheld. C’est la vie. I loved him fiercely anyway, despite everything. To attach, bond, is innate. Unless it’s beaten out of us.

Got a dialogue going on Facebook. Al Razutis pointed out that “There’s more to fatherhood than biology.” Of course there is. I’d just like to know who the bastard was that spawned me. Don’t we all? I suppose it’s difficult for ambivalent feelings not to surface on Fathers Day. Turns out my friend Shelly da Cuhna had a similar experience, and Thesa Pakarnyk said, “Whomever spawned you missed out big time on knowing such an amazing woman!” Thank you but I’ll never know what I missed out on either. I harbour no illusions, fantasies though. The guy might be a complete jerk, or even a rapist, but I want to know my genetic makeup. Not just for my sake but also for my son’s. There can be long term health issues. If I was rich I’d hire a private investigator or at the very least, sign up with one of those DNA tracking sites. Elee Kraljii Garniner remarked, “Heather, beautiful sentiment. Here’s to a new model of fatherliness.” And I agree. That’s what needs to happen. I see it happening. Most men today are far more loving and hands-on as parents.

I wanted to post a picture of my Dad but have none digitized, so here is a shot of me and my beloved nephew Kyle Thiessen, my (half) sister’s son and his full-blooded grandson.