NATIONAL POETRY MONTH in Vancouver keeps us on our toes!

Photo: Tabitha Montgomery

Whew! Recovering from an action packed weekend; two launches for two anthologies. My poem Appelton was featured in Alive at the Center along with other Cascadian poets from Portland, Seattle and Vancouver. It’s a farcical poem, people laughed and we all revelled in the convivial atmosphere at the Rhizome Cafe. Saturday, I read Three Blocks West of Wonderland at the launch for FORCE Field: 77 Women Poets of British Columbia at the Vancouver Public Library, followed by a party at the Railway Club, which turned out to be a fantastic gathering of the tribe.

Well, it is National Poetry Month. I will be doing another reading for FORCE Field on the 26th at the Shadbolt Centre for the Arts in Burnaby. Couch surfing is a little rough but it does provide a wonderful opportunity to visit, something I rarely have time to do when I cross the moat (Howe Sound) and go into Vancouver with a long list of errands, meetings, appointments.

NEWS! I’ve signed with an agency! And here’s a novel excerpt; The Virgin Marries Do New York, or rather, New York Does the Virgin Marries

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I’ve just signed with an agent, Drea Cohane of The Rights Factory in Toronto. I’m pretty excited and boosted; such a boost to have a professional in your corner. Drea is smart, enthusiastic and encouraging. I will have more news in the near future. In the meantime, here’s an excerpt from the forthcoming Town Slut’s Daughter.

New York, New York, a town so nice, they named it twice. Nice. Yeah, right. And the city that never sleeps never sleeps because it’s rank and sweltering hot, baked sidewalks oozing blood, urine, spittle. Neither did things cool after sundown. Still, Fiona loved the city’s fascinating, ruthless nightlife and omnipresent skyscrapers.
The band had scored a sublet on the Upper West Side, not far from the Dakota and the Museum of Natural History, New York City a peeping tom’s paradise. The Virgins watched yuppie couples cook, cleaning crews dust and a working girl roosted on her toilet, a fine line between uninhibited and exhibitionist thought Fiona.
The plan was to sojourn in NYC for a month, play shows, make contacts, seek management and promote the EP. Everybody else liked the record. It got them gigs, which got them press, which got them a European tour, airplay on a string of college radio stations and a big time booking agent, Brian Kezdy. Most East Coast press coverage was favourable, though Fiona wondered why rock journalists could never come up with one original question.

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FROM CANADA—PURE ROCK ‘N ROLL—THE VIRGIN MARRIES

I must admit I’m a sucker for girls with guitars. At times this well-built punk thrash outfit from Vancouver, Canada, sounds like Bessie the Brontosaurus pounding the city’s pavement. You have to give them credit for being tough and loose, fast and funny, all in a femaleist way, as they steadfastly condemn tanning beds, silicone implants and Citibank. The Virgin Marries exhibit the introspection of a Steppenwolf in All I Have Is Me while Woman Driver reveals insights into the female psyche: A mother, a bride or a daughter / Now which one will I be/ Forever and ever is a long time/ To turn my back on me/ My parents ornament the hood/ My husband’s in the rear view mirror/ My children ride up on the roof/ I think I am behind the wheel. This is a seditious band and these provocative young women provide fine, if not frightening, role models.

New York City is not a good place for anyone with a jones for heroin. Dolores swore she was trying to corral her habit, but Jackie often found her in the bathroom, head in bowl or spike in arm. Rita kept an eagle eye on the band’s equipment.
“That’s the next step with junkies. They start stealing your shit and pawning it.”
“Aw man,” said Dennis, “don’t call her a junkie.”
They wanted to put Dolores into rehab but Kezdy had them booked to play the UK and Europe a month down the road.Despite a loud Virgin Marries buzz, a 150 bucks was the most money they’d ever earned. Friends and hangers-on volunteered to manage the band but Rita insisted on holding out for someone with clout. They did have a certain breed of chippy coming out for all their shows, new friend Poppy the ultimate fan. Poppy was an exotic dancer, a euphemism for stripper, Fiona learned.

“Poppy is sexually strident, cheerfully malevolent and a larcenist,” observed Rita. “Check her bag.”

A huge Plasmatics fan, Poppy had decided the Virgin Marries were her new favorite band. “I’d walk through Bed Stuy to see you girls.”
She often got off stage at the Galaxy Club in Times Square, covering her tits and track marks with feather boas to take a cab to Max’s, because “CB’s is full of bridge and tunnel people now.” Poppy spent all her tip money on drinks and drugs, indulging Dolores far too much. She introduced the Virgins to Dee Dee Ramone, Mink DeVille, Johnny Thunders and Gordon Stevenson, bass player for Lydia Lunch’s band, Teenage Jesus and the Jerks. They wondered why Johnny Thunders knew everybody. Why soon became obvious. Thunders was a desperate opportunist hustling anyone who showed even the remotest interest in him. Poppy had asked Fiona to come by her room at the Chelsea to pick her up for lunch. Fiona dutifully arrived on time and walked in on her giving Thunders a blowjob.
“Oops, sorry!” she sputtered.
The “living tragedy” looked up. Sort of. Poppy lifted her head of kewpie doll curls, Thunders’ dick at half-mast. “I’ll be right with you, sweetie.”
Yeah, right. Too bad she’s not getting paid by the hour.
It seemed the entire Isle of Manhattan fancied the Virgin Marries, including John Belushi, often showing up at their shows, entourage in tow. Club and record storeowners were bombarded with requests for the Virgin Marries. Major label deal rumors flew.
“Oh man! We’ve gotta get signed to Virgin Records.”

Revelling in their run of successful New York City gigs, Fiona sat sipping coffee, reading a Sunday Times article about John Steinbeck’s friend marine biologist Ed Ricketts, not only the inspiration for Cannery Row character Doc, but Steinbeck’s muse as well. The phone rang.
“Fiona, get over here!” yelled Poppy. “415 W. 57th Ave. Quick! Jackie OD’d.” Continue reading

PACIFIC TIME

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PACIFIC TIME

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Cedar jungle.

Left coast.

Mellifluous bees,

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Hummingbirds swarm

Morning. Teeming creek

Bows to the sea.

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Lisping hares,

Nipped chocolates

Consume the household

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Quickly. Mugs stacked,

We steep in me.

Fuse. Volatile

Affections lampooned,

Logic disturbed hourly.

Bursts. Snipes. Rants

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Compelling as a drowning cow,

Pert hustler rising in your skull

But see, Howe Sound

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Currents obviate

Previous episodes, ancient

Grievances, low levels.

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Ditch. Forget restitution.

Leave the old scow

To rot on the plain.

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FIONA DOES THE DESERT-“The Town Slut’s Daughter” novel excerpt

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Dennis convinced Fiona they had to visit Joshua Tree on their way to Los Angeles.

“I want you to see the real desert. This is the best time to go. Early spring. Everything’s in bloom.”

They stopped for gas, kitty corner to the Oasis of Love Wedding Chapel. Dennis pointed to an uneasy and checkered queue of couples clad in black and white lining the block.

“Let’s get married!”

“Are you crazy?”

“You still need a green card, don’t you? Isn’t that the best way? Marry a citizen?”

“You mean you?”

“Why not?”

“Because, green card marriage or not, you’ll take it seriously. Besides, I’m too young to get married. You’re too young to get married.”

“What am I to you?”

Fiona groaned. “You’re a friend, Dennis. One of my dearest friends. A friend with privileges. Take it or leave it.”

I’m such a bitch. A mile down the road, she slid her hand between his legs, stroking the denim taut over his balls. Moaning, Dennis pulled the van over. They did it in a plume of red road dust.

The lovers gradually eased into au naturale mode, more serene with each mile of desert highway kaleidoscoping past. They motored through gorges and coulees vaguely familiar, like a Roadrunner cartoon, SIDEWINDER CAFE, BORAX, LOST HORSE MINE road signs riddled with bullet holes. The Mohave was a shock of alien beauty, teeming with life. In bloom, indeed. They stopped, got out, waded through bellflowers, asters and fuchsia sand verbena, beavertail cactus sporting coral red blossoms like hats. Dune primroses reminded Fiona of the Alberta wild rose. Dennis laughed at her wide-eyed, gaping mouth astonishment.

Finally they reached Joshua Tree National Monument. She’d been expecting a phallic wonder rising off the desert floor but realized the Americans used ‘monument’ to mean ‘park.’ Dennis photographed her in relief against a horizon of softly sloping stone hills, sporting her new, fifties-circa straw flying saucer hat. She struck a Bono pose under a Joshua tree, which was not a tree at all. Lightheaded and languorous in the balmy air, Fiona stretched out movie star-style, hands on her hips, looking directly into the lens, studly paramour documenting their euphoria for all posterity.

They came upon a thick stand of Bigelow chollo cactus harbouring nests of Sage sparrows.

“The balls of their spines break off and stick to your skin like magnets,” warned Dennis. “Don’t get too close.”

The Yucca plant produced strange fruit, clusters of pale blossoms exuding a warm, waxy scent, but the most sublime desert plant must be the ocotillo, she thought, a tangle of towering, quivering green stalks like tentacles, gilded with scales and topped with scarlet arrow tips.

Dennis’s sharp eye spotted all manner of lizard; banded geckos, iguanas, chuckwallas. They saw silver spotted grasshoppers and a Walking Stick suspended from a Mormon Tea branch. Down the road, they were forced to stop the van, agog at the sight of kamikaze caterpillars crossing the asphalt in a shuddering river. Dennis bent down to examine the freaky, fetid stew of yellow, black and lime.

“Man! This was a wet winter. This only happens every seven years or so.”

They climbed Jumbo Rocks, huge boulders suggesting rising dough or the granite buttocks of sleeping elephants. At the crest, the rock face resembled skin, lined and pockmarked. In close, the surface was pebbled, filled with cracks and crevices. Elated, Fiona photographed Dennis beneath a large, round boulder miming Atlas supporting the earth. He snapped her standing inside the huge eye socket of a rock skull. They nearly fell into sinkholes, perfectly rounded basins carved into rock by water. Dennis invited her to sit.

“What about scorpions?”

“Nocturnal. We probably have more to fear from rattlesnakes. Just don’t put your hands on any ledges you can’t see.”

They sat, nestled, gazing down the valley of saltbush and smoke trees. Dennis pointed to a jet etching contrails upon a gradient blue sky. Cap Rock jutted out, a visor of stone.

“You can see all the way to Mexico from here.”

It’s easy to see why this place became sacred.” A breeze cooled her skin, prickly from too much sun. Fiona turned. “And the air up here is making me randy.”

“It is?” Dennis was hard in an instant. Panting.

“Yeah.” She avoided his eyes, resting her chin on his shoulder as if studying the lengthening shadows. Fiona allowed a few seconds to pass, then Continue reading

TERMINAL LABOUR . . . a dirty job but somebody’s got to do it.

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TERMINAL LABOUR

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Murderous pipe

Snaking though mountains

Rips the century in two.

Calamity stitches, salt

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Rituals, mollifying dances

Distract hippie protesters.

Ransack a few days off.

Sour fists, sweet mouths,

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Boner in the rain.

He recalls her glass tears,

Tongue of flint

Silent in the station

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Shrewd in the bar.

Dunce fat depleted,

Husk nearly ready

For the casket,

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He works with her

To remove obstructions,

Excavate a trench,

Contour the land.

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WET RECOVERY…despite everything

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WET RECOVERY

Mangled post tequila,

Estrangement narcotic,

Longing, withdrawal.

Up from the basement

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Pretty feet restored

I propel myself

With nothing

But will, grateful for the veil

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Of mist, piano notes

Icy raindrops pelting

What’s left

Post hacking

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Into,

Hacking away.

Hmph.

He’s not the only martyr

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Dragging me down,

Blowing me up.

I will sleep with the river,

Esoteric toads,

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A harridan

Sharper than thistle,

Embraced.

Sheltered. Cleansed.

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LIFE AND DEATH ON THE SPECTRUM

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This is a difficult subject, raising a child on the autism spectrum, especially painful in the wake of Newtown. I was heartbroken by news of the tragedy and dismayed to learn the shooter had Aspergers.

I felt both great empathy and unease watching the PBS Frontline documentary, Raising Adam Lanza, about the relationship between Adam and his mother Nancy. Though experts agree individuals with Aspergers are no more prone to violence than people without the developmental disability, I worry the public will characterize kids on the spectrum as aggressive, a huge setback in hard won autism awareness.

My son is two years younger than Adam Lanza and finding a proper diagnosis was a long, arduous struggle, finally achieved at age 10, about the same age Adam was when he was diagnosed. Initially Junior was erroneously perceived as having a “moderate to severe language disorder.” I still don’t know what the heck that means but he received years of speech therapy, which as it turns out was the last thing he needed, being highly functioning and beyond verbal to the point of verbose. It’s body language he doesn’t get. More details on this and our desperate search for information are at this previous blog post and the only other time I’ve publicly addressed my son’s ASD.

Adam Lanza had initially been diagnosed with SID, Sensory Integration Dysfunction, also known as SPD, Sensory Processing Disorder. It’s not a recognized diagnosis nor included in the DSM-IV-TR Diagnostic and Statistical Manual of Mental Disorders. As reported by Susan Donaldson James, “Whether SPD is a distinct disorder or a collection of symptoms pointing to other neurological deficits, most often anxiety or attention-deficit hyperactivity disorder (ADHD), has been debated by the medical community for more than two decades.” Adam Lanza’s lifetime.

My son’s sensory issues were well documented, considered part of his ASD and certainly challenging. He abhorred particular fabrics, ripping out tags and discarding the socks with “stupid seams.” Refusing to wet his head, hygiene was a serious concern. It took years to overcome his anxiety and get in the shower on a daily basis but he still doesn’t know how to swim and refuses to take lessons.

Unlike a lot of kids on the spectrum, our son’s motor skills were fine. He began walking at 10 months, was a prodigious golfer with a beautiful swing everyone envied. Though shy with strangers, he had no problems with physical contact and was always affectionate with family. He’s less demonstrative as a teenager but if I ask for a hug, he delivers a hug with no qualms.

I may seem anxious to point out how my child with Aspergers is different from Adam Lanza, but because it manifests in a seemingly random but singular fashion, every child on the spectrum is different. Unique. Our choices, options have been dictated by how ASD has affected our child.

I got the impression mother and son were becoming Continue reading

FATAL INTERRUPTION-the work of forgetting

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FATAL INTERRUPTION

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Pond forsook, shed tippled,

I dodge gusto, the jolly,

Adroitly avoiding east, his

Brilliant mean declarations,

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Confabulations,

Sorry offensives,

Our fractured liaison.

The work of forgetting

Stresses, ER expedition

Lacerating Saturday night.

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Belligerent patients triaged;

Cosmo shill car crash,

Severed digit,

Cocaine addled troll.

My heart is quitting!

Erection won’t.

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Happy to see me.

Stiff you.

X rays, blood work

Revealing nothing

But our deficits.

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“SINGLE-HANDED” and other passages

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SINGLE-HANDED

Strays.

Yard rats we

Shared a railroad,

A yearning for

Burning corn,

A penchant for

Leaving one another

The dead

Of night. Tied

To the tracks.

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Creosote smeared legs

Stand in a deep cove

Now, manning my boat.

Trip charted,

Lovers never quit

Beckoning, inserting

Keys, truncating

My swagger,

Saving me

From this lonely perch,

This vast wave.

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THE VIRGIN MARRIES DO MALIBU-“Town Slut’s Daughter” forthcoming novel excerpt


Heading to the studio, they wound their way along the curves of Pacific Coast Highway past sunning sea lions, surfers bobbing at Point Dume, shithawks—seagulls—bombing the pier. Fiona watched Dennis ogling a busty brunette astride a Palomino stallion bareback, galloping through roiling surf.
“You can see the gray whales during migration.” He told them smugglers used to run liquor, opium and Chinese labor through the area.
The studio sat under the lee of the mountains, a veritable citadel by the sea. The massive foyer, a circle of mahogany pillars, opened teepee-like, rays of sun warming the slate floor.
“Hey Virgins, it’s your first time!” joked Dennis. “In a studio.”
Producer Dan Foley ambled in, gently gruff in a RECOVERING CATHOLIC t-shirt, black jeans, lizard skin cowboy boots. He sat, Virgins arranging their bums on a bank of white couches.
“Okay, so what kind of a production values are you going for?” he asked, voice like sandpaper.
“Don’t you know?” Jackie clung to her guitar case.
“It’s your music. You tell me.”
Fiona knew. “Raw. Gritty.”
“Right,” said Rita. “And we want it tight.”
“Monster bass!” said Jackie. “I play bass like no one, melodically, but with a lot of guts.”
“Describe your sound. As a band I mean.”
Gawd. I wish we had a manager. “We sound like the Virgin Marries. Our drummer is a walking, talking, sonic boom. Our bass player is an original. Dolores plays her Les Paul like a band saw. It rips! We write excellent songs. The singer can actually sing. I have great stage presence too. We all do. Right, girls?” They nodded. “We’re talented. Fucking brilliant in fact.”
Dan feigned ducking, as if to avoid a blow. “Alright then. We have a band in the studio. Who’s responsible for the arrangements?”
Dolores groaned. “Arranging is for wimps. We don’t arrange our stuff.”
Rita brandished her drumsticks. “Yes we do! We don’t want a ton of effects, Linn drums, or a million overdubs.”
“No cowbells!” said Fiona. “I hate fucking cowbells. Let the farmers have ‘em.”
“Or synthesizers,” said Dolores.
“I hate saxophones almost as much as I hate cowbells. And flutes! I hate the flute. It reminds me of beatniks. And hippies.”
Dan stood at the window looking out over the mist-shrouded hills. “Okay, so you know what you don’t want. I will venture to say I think you need a clean sound. Organic. Unrestrained. Untainted.”
“Organic?” bleated Jackie.
“Yeah. Organic, as in authentic. Virginal. Pure. Virgin Marries, doing what comes natural.”
“Er, yeah, okay.” Jackie feigned gagging. “But we are not hippies!”

Pink Sombreros

The cowboy led his horse to water
The horse refused to drink
The cowboy roped a steer one day
The steer was full of sawdust
The cowboy saw a sign in the sky
Revolving neon stars

Dudes in white fringes live here now
Dudes in pink sombreros are here to stay

The cows are lowing, the myth is dying
This land can break my heart
I have no place to go
Beyond my wild whisky dreams

“How about piano?”
“Gimme a break! Do you want us to sound like the Eagles?”
Rita glared at Fiona. “We couldn’t sound like the Eagles if we tried!”
“It is a ballad,” said Dan.
“Yeah, it’s a ballad,” said Fiona, “but it’s a cowboy song. I hear guitars.”
“Guitar yes, of course, but this song, a wonderful song by the way, should be played on acoustic. Just the rhythm parts.”
“Acoustic!” yelped Dolores.
“Yes. Acoustic will make it a classic. Showcase the vocals. A little piano in the bridge.” Dan leveled his eyes at Fiona. “And another thing. Hit songs do not have minor chords.”
Let’s hit you. Fiona sighed.
“I thought you were tired of Continue reading