Tag Archives: Heather Haley

Birds abide despite bears, brutal times

In a funk. Big time. Times are tough. Brutal. Interesting. Pondering human desire, nothing logical about it. Feeling guilty for feeling depressed. Funny how that works. I’m such a barometer of the times. Suck it up though 2011 sucks. Yeah, the boogie man’s gone but we all know Bin Laden’s death hardly provides a solution. *sigh* So uninspired. Spring fever? What spring? Interminable winter, so cold, I neglected to bring in the bear-attracting bird seed. They’re up from hibernation early this year, as last season wasn’t a good one for berries. I looked out my kitchen window the other day to see our friendly neighbourhood black bear raiding the feeder. They are incredibly agile, despite their massive paws, claws. He handily pulled the pole down and emptied both containers. I put it all in storage, haven’t seen him since. I posted this picture on Facebook and was surprised by the reaction; much fear mongering talk of bear attacks. Sure, it’s within the realm of possibilities, but if I couldn’t co-exist with bears, I’d live the city. I’m more afraid of people.

Maybe my agitation is due to metamorphosis. I’d like to shed a skin, or two. Spread my wings. I read somewhere that “when a creature first emerges from a cocoon, it can feel useless. It is neither what it once was, nor is it fully what it is about to become. It feels lost, bemused, more as if something has been taken from it than something has been given.” That’s me lately; useless. Bemused, but emerging from dormancy, hibernation.

And the sun’s out today, warmer temperatures predicted, the Canucks winning. I’m singing and playing guitar and the boys took me out for dinner. I think the flu and the worst of my allergies may be abating. And I have my birds. Always. I put out the hummingbird feeder and a pair of Rufous buzzed over immediately. In my Vancouver hotel room last week, I sat by the window, eating lunch, admiring the view when a seagull landed on the railing. He lingered, motionless, until I decided to share, put a leftover oatmeal cookie on the balcony. They have snow white feathers, eyes the colour of beets and purple feet. Radiant really, though we don’t usually think of them with any admiration, probably because they’re scavengers. I was astonished at his nimble beak, how he picked up every tiny speck of crumb. Resourceful. Tough. No, I’m not complaining. I have nothing to complain about.

A la vida! Happy Mother’s Day

Two mother themed excerpts from The Town Slut’s Daughter, oddly, or not, both involving horses, gelding and foaling specifically.

No matter how many times they moved, Bill and Jeanette managed to find another shack, the latest a long, low rancher in Langley.

Jeanette was homesick, longing to return to Quebec, despite how wretched life had been. Would she ever be free of the past, the fear that at Sister Ann Marie might come along and yank her pigtails or rap her on the knuckles with a wooden ruler?

She didn’t see too many empties but worried Jeanette might hurt herself again, relieved to hear she’d had taken up crochet, though all the crappy old furniture was covered in ugly, acrylic afghans. Why can’t she use real wool? Bill had gotten her a pet, a little wiener dog she dubbed Schultz, after the character in Hogan’s Heroes.

“Why couldn’t you get a real dog?”

“He’s a Daschund. Hey, he’s a tough little bugger! Full of piss and vinegar. Just watch him.”

The little bugger dragged in a giant field rat. Jeanette cheerfully tossed the carcass into the garbage, explaining the godamned things liked to chew through her telephone cables. She mopped up the blood as Fiona watched Schultz chase down more vermin, sturdy little body parting a sea of tall grass.

“They were bred to go down badger holes.” Jeanette deftly shuffled a deck of cards, machine-rolled cigarette dangling from her lips. “You know how mean a badger is?” She dealt out a hand of Solitaire, Fiona relieved she wasn’t badgering her into Gin Rummy.“Shultz doesn’t know how little he is.” Jeanette gloated. “He’ll take on any dog that crosses his path. He wriggles under, goes right for the jugular.”

“Well, they say pets resemble their owners. Or is it the owners that resemble their pets?”

Jeanette laughed. “Yeah, so we’re tough.”

Fiona once saw her mother evict a drunk twice her size and half her age by the seat of his pants. She was earning a reduction in rent for lifting bales of hay, feeding and watering the landlord’s horses. Fiona sat on the fence as Jeanette admired the animals through the slats. Fiona could feel the thoroughbreds’ hot breath on her collarbone as they ambled up, snuffling, nudging her arm for carrots. I’m not scared when I know what they want.

Jeanette pointed at the pinto. “Indian Joe. They just gelded him.”

What was left trotted round the periphery, stallions shadowing him, nipping his neck and flanks. He snorted and kicked wildly but the stallions were ruthless, tormenting him until he ran under an old hemlock, cowering, stranded in his altered state. Fiona clambered down. Jeanette grabbed her by the arm before she could enter the paddock.

“Fiona. No! What do you think you’re doing?”

“He needs help! Why don’t they leave him alone?”

“You’re too young to understand.”

“I am not!”

“All right.” Jeanette ground her cigarette butt into the fence post. “Do you understand he’s a eunuch? A freak? Spooking the studs.”

Fiona stared at her mother’s forehead. Jeanette sighed. They headed back to the house. Fiona told her she was moving to LA.

“Aw, no!” gasped Jeanette. “Don’t tell me that!”

“Sorry. I have to go. There’s nothin’ happening here. We have to go where the music business is. We wanna get signed. All the major labels are down there.”

“But, I’ll miss you!” Looking to the ground, Jeanette began to cry. Go for the jugular.

“You can come visit,” said Fiona, both knowing it was a fiction.

“Why won’t you let me be your mother? You’re just a baby! My baby.”

Fiona vehemently shook her head No. Jeanette winced. Fiona watched Schultz, wonder wiener, yipping and dogging horses, inches from hooves the size of his head. She nudged her mother, pointed. Jeanette’s eyes rounded at the dog’s antics.

“No badgers, but happy as a pig in shit, isn’t he?”

Laughing, she whacked Fiona across the shoulder blades, nearly knocking her into the knee-high muck. Two days later, the Virgin Marries moved to Los Angeles.

*********************************************************

They collected the Virgins and headed up to his folks’ place near Santa Barbara, Fiona excited, insisting on a visit to the Mission. The weather was glorious, world a blue sphere; sky of sapphire, ocean of turquoise. She noticed a fantastic tree hanging off the cliffs, pistachio wood peeking out from peeling cinnamon bark.

“Madrona,” said Rita, planting her big feet on the dash. “They’re called arbutus in B.C.”

Jackie and Dolores skulked and Continue reading

Announcing the SEE THE VOICE @ Vancouver International Poetry Festival program!

Mostly chronological, from 1999-2010. The order might change a bit, but probably not.

SEE THE VOICE @ VANCOUVER INTERNATIONAL POETRY FESTIVAL

Bubblegum Alley                        Zaffi Gousopoulos

That Which Takes Flight Laurel Ann Bogen/Doug Knott

Airplane Paula Sheri-D Wilson

Chinese Cucumbers Patricia Smith/Kurt Heintz

Alphabet City Adeenda Karasick

Sturgeon Song Alice Tepexquintle

Hundred Block Rock Bud Osborn/Dave Lester

Hopscotch Tom Konyves

Sista Someone Seth Adrian Harris

Kingsway Michael Turner

Cocteau Cento Dan Boord/Luis Vadlovino

Memory Block Hari Alluri

Lost In The Library George Bowering

Almost Forgot my Bones Tanya Evanson/Katrin Bowen

Spinsters Hanging In Trees Sheri-D Wilson

Missed Aches Joanna Priestley/Taylor Mali

Enter the Chrysanthemum Fiona Lam

Car Wash Leanne Averbach

What Did You Do Boy? Janet Rogers

Vita Means Life Gabrielle Everall

Psychic Defense Training

for Ex-Lovers Doug Knott

To Erzulie Lennelle M. Moise/Mara Alper

Buffalo Roaming Kirk Miles

Candle Dance,

The Crossroads David Bengtson/Mike Hazard

Intersecting Circles Moe Clark

Financially Strapped Katrin Bowen

Purple Lipstick Heather Haley/Alexandra Oliver

Being An Artist Ellyn Maybe

Turtleheart Susan Cormier

The Bather David Bateman

Dirty Bomb Mac Dunlop

Beware Of Dog Tom Konyves

Cellophane Girl Alain Delannoy/Pamela Mansbridge

The Knotting of Rope,The Mechanics of Plastic,

The Right To Remain Francesco Levato

Deersigns Taien Ng-Chan

The Book Of Green Gerard Wozek/Mary Russell

How To Remain AURAL Heather

Retro disk chunter Stuart Pound

2011 VISIBLE VERSE FESTIVAL Call for Entries and Official Guidelines

* Visible Verse Festival seeks videopoems, with a 15 minutes maximum duration.
* Either official language of Canada is acceptable, though if the video is in French, an English-dubbed or-subtitled version is required for consideration. Videos may originate in any part of the world.
* Works will be judged by their innovation, cohesion and literary merit. The ideal videopoem is a wedding of word and image, the voice seen as well as heard.
* Please, do not send documentaries as they are outside the featured genre.
* Videopoem producers should provide a brief bio, full name, and contact information in a cover letter. There is no official application form nor entry fee.

DEADLINE: Sept. 1, 2011

Send, at your own risk, videopoems and poetry films/preview copies (which cannot be returned) in DVD NTSC format to: VISIBLE VERSE c/o Pacific Cinémathèque, 200-1131 Howe Street, Vancouver, BC, V6Z 2L7, Canada. Selected artists will be notified and receive a standard screening fee.

For more information contact host and curator Heather Haley at hshaley@emspace.com or visit my Visible Verse page. 

In the saddle, not on my face

I survived high winds and ghosts of Christmas past but what a way to kick off the New Year, with a smashed face and loosened teeth. Thud! On Friday, New Year’s Eve day, the day after hosting a rollicking pizza/dance party, as other household members slept it off and ignored our bitch’s yips and whines, I cursed and got up to take the poor thing out to pee. Aware of frost on the stairs, I was trying to proceed cautiously but bladder filled Brinda kept tugging on the leash and soon my feet came out from under me, the rest of me landing on my left profile. Hard. Despite ardent athleticism, physical abuse and exuberant tomboy shenanigans, I had never face planted like that. Hole in lip burning, I was furious, dazed and bleeding but ignorant of the extent of my injuries, each ensuing hour and day bringing with it a new phase of suffering. Of course being the holiday and Bowen Island there is no clinic so I thought I’d wait until Monday when our GP was back on duty. I had actually banged up my face and the inside of my mouth quite severely. My tongue was missing a few chunks; I had a loose front tooth, bruises on my chest, arms and legs including a huge hematoma on my thigh, which I iced immediately. Then Continue reading

“POET CELEBRATES VERSE ON FILM”

That would be me. And finally I’ve got my life back! I am once again able to tutor my son, cook dinner, clean house, catch up on paperwork, email correspondence, walk in the woods with the dogs and write. Woo hoo! I can’t believe how time consuming, all consuming this Visible Verse Festival became. Josef kept saying I was doing too much, that I needed more help, which didn’t seem too helpful. Certainly it’s true but who else could I enlist? So I bit the bullet. I can do this. Once every 10 years, it won’t kill me. The festival turned out well though. I received many kudos and people were especially impressed with the programming.

According to the Visible Verse article and Georgia Straight film critic Mark Harris I have an “unusual vocation.” That’s one way to put it, perhaps a polite way. Oh, I’m not complaining. I’m just relieved to climb back to into the scribe saddle. I’m going to finish up this blog entry and then attend to an essay Sheri-D Wilson has contracted me to write for a reference book and her Banff Arts Centre workshop. Then, I can finally get back to my novel! It will be a miracle if I complete the final draft by Jan 1 but I’m going to try.

As I sit here lamely trying to recall the events of the festival less than two weeks ago, it occurs to me that it ‘s much like the pain of childbirth, a big blur of panic and pain. Actually, I’ve never had to Continue reading

From your incurable optimist, dare I say, utopian?

Sadly, my dear friend Ann Haskell died Oct. 22 after a two-year battle with ovarian cancer. Assimilation of such facts of life is difficult without the means to attend the memorial. She was my ex-mother-in-law though I remained a great admirer and missed her terribly-almost as much as her youngest son Peter-after we split up. As a young woman I was in awe of her. Quietly strong, kind, intelligent, beautiful, a scholar, single mother and professor of literature at SUNY-Buffalo when we met, Ann and I thankfully reconnected and started corresponding a few years back, along with middle son Mark and her daughter—my surrogate little sister—Gretl, who reassured me, “Mom knew you were thinking of her.” Mark let all her loved ones know Ann died as she wanted, peacefully, surrounded by her beloved family and felines, no doubt with characteristic grace and dignity. Here is part of her obituary. As I told Gretl, I don’t possess words enough to describe her accomplishments.

Ann S. Haskell Obituary – 1/7/29 – 10/22/10     Ann was born in Washington, DC, in 1929 and grew up in Arlington, VA. While raising three children on her own, she was among the first women to graduate from Clemson University and was awarded a Woodrow Wilson Graduate Fellowship. She received her Doctorate with honors from the University of Pennsylvania in 1964. She went on to teach at the English Department of the State University of New York at Buffalo, specializing in Chaucer and Medieval Life and Literature and in Children’s Literature, for thirty-seven years. She was a mentor and advisor to hundreds of students whose lives and careers she enriched with her generosity and scholarship. Her many academic publications include the books, “Essays on Chaucer’s Saints” and  “A Middle English Anthology,” which has been in print since 1969. Ann wrote Op-Ed columns, personal essays, and articles on food and numerous other subjects for publications such as the Smithsonian, the Washington Post, Baltimore Sun and New York Times. She maintained a home in Provence in Southern France for forty years and she and her husband taught a program abroad on the Culture of Provence.

*sigh* Sure do hope I get to see Gretl and Mark again soon.

So, back to the grind . . . I’ve been trying to recall a time when I didn’t have a laptop handy 24 hours a day. How did I survive? Still in the throes of Visible Verse festival programming, production and promotion, literary scene pal Rob Taylor kindly blogging about it at Spread It Like a Roll of Nickels. I will be presenting a couple of videopoems–a preview–at Sean Cranbury’s Real Vancouver Writers Series, Nov. 17. I bought a Continue reading

Three Blocks West of Wonderland review

Review of Three Blocks West of Wonderland by Poetry Is Dead Magazine Editor-In-Chief Daniel Zomparelli.

“The modern poet must deal with our technological/consumer-driven/corporate reality and attempt to find a small space of peace in this world. In Three Blocks West of Wonderland, Heather Susan Haley explores the beauty of nature through a grounded lens without ever ignoring the implications of consumerism and corporatization.

Haley’s narrative-driven lyrical poems are emotionally raw and go down like a shot of whiskey. They are filled with complicated dichotomies of nature versus humanity. The best example of this appears in “Appleton,” my favourite poem in the collection. The poem sets up a pot-smoking high, only to pull back and discuss the implications of the marijuana industry and all of the sticky legalities and the gang involvement. Haley has no trouble finding the beauty of life, just as she has no trouble pointing out the ugly truth.

Every poem in Three Blocks West of Wonderland features humour, anger, passion, love, inquisition and a kick-in-the-pants tone. The only hesitation I had with the book was that the narrative line didn’t connect strongly from poem to poem. It might come from reading too many conceptual poetry books, but I like my narrative poetry collections to keep the story going throughout. As a result, this book is best read at a casual pace or, more specifically, this whiskey-slinging, pickle juice-in-the-potato salad, roadkill, I-5 book of poetry is best read with a cool mug of lager. It’ll put some hair on those balls … or grow you a set, for that matter.” Hmm, I will have to take that as a compliment, for it must be the opposite of emasculate. That’s me, the elevate-or, the ball builder, the booster. “Exuberance is beauty,” after all, according to William Blake.

Racing & romping

Lately, all I’m doing! Currently, I’m racing to meet the Visible Verse festival deadline, lots more programming to wrap up in the next two days.

On Thursday I’m heading to Victoria to participate in ROMP Independent Dance Festival where I will be reading Whore In The Eddy as a dancer improvises “to the sound, syllables, and multiple meanings. Each dancer is only given the first and last line of the written work before stepping onto the stage – to create an electric collaborative laboratory between improvised dance and the spoken word.” I’m excited!

Sage sisters, memories (of Sage Hill Writing Experience)

Before they’re gone forever, and though I’m barely scratching the surface, here are a few other robust memories from my ten-day tenure at Sage Hill Writing Experience.

July 19, 2010

I can’t believe I’m here! I couldn’t sleep the last few nights, in anticipation but I made it after an uneventful flight, the best kind. I’ve been exploring, getting my bearings, settling in.

“Be fearless, be in the moment, remember why you’re there, be open to the path ahead. Open yourself up like the big Saskatchewan sky then strike like lightning.” My pal Sean Cranbury of Books On The Radio‘s words on getting the most out of this retreat, good advice I shall endeavor to use.

July 21, 2010

I met my instructor, award winning author Terry Jordan. Nice guy, adorable 9-year old daughter C in tow. What is she going to do? I’d be bored here if I was a kid. Terry’s a musician. Damn! I would have brought my bundle of busking songs with me if I’d known. I should always assume there will be hootenannies and opportunities to sing at these things. I’ve been reading Terry’s novel, Beneath That Starry Place, mightily impressed with his well-drawn characters and landscapes. He possesses a powerful ability to create ambiance, often sinister. I will have to get him to sign it for me. Terry’s a playwright too. I would like to talk to him about that. I’m seriously considering writing and producing a Continue reading