{"id":346,"date":"2010-05-26T10:52:16","date_gmt":"2010-05-26T18:52:16","guid":{"rendered":"http:\/\/heatherhaley.com\/onelife\/?p=346"},"modified":"2010-05-26T10:52:16","modified_gmt":"2010-05-26T18:52:16","slug":"bear-deer-cougar-weasels-and-snaking-past-catastrophe","status":"publish","type":"post","link":"http:\/\/heatherhaley.com\/hh2\/?p=346","title":{"rendered":"Tracking bear, deer, cougar, weasels; snaking past catastrophe"},"content":{"rendered":"<p><a href=\"https:\/\/i2.wp.com\/heatherhaley.com\/onelife\/wp-content\/uploads\/2010\/05\/820669501.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-348\" title=\"820669501\" src=\"https:\/\/i2.wp.com\/heatherhaley.com\/onelife\/wp-content\/uploads\/2010\/05\/820669501-300x199.jpg?resize=300%2C199\" alt=\"\" width=\"300\" height=\"199\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p>Don&#8217;t tread on me! In a funk, discombobulated, plagued with a nasty headache and nightmares as I scramble to meet two hard deadlines, recovering from a low blow by our (former) collaborator who \u201cterminated\u201d our video projects. Terminal City? He might very well have succeeded but happily, I&#8217;m working with the inimitable <a href=\"http:\/\/www.chriscoonmusic.com\/\">Chris Coon<\/a>, my Bent Tail-punk rock cohort. (Impatient Youth, The Sleepers, The Woundz, Clocks of Paradise, No  Alternative.) It\u2019s a relief as well, to drive 15 minutes to a studio rather than 5 hours to record who-knows-where, or how, which saves heaps of money too; no more <em>travel expenses<\/em>.<\/p>\n<p>Do we engineer the crises in our lives? In search of authentic experience, to provide creative stimulation? Certainly, it\u2019s something artists, writers do. Is <em>Van Gogh<\/em> not equated with <em>tortured<\/em>? August Strindberg is another example: \u201cOf humble origin and melancholy disposition, Strindberg was consumed by an insatiable desire for knowledge and a need for authentic existence.&#8221;-New Foundations. &#8220;Strindberg created experiences and pressured situations in order to write about them; he inflicted pain on himself to gain extra material and he became suicidal when fiction and reality were interpenetrating so deeply that he was scared of finding which was which.\u201d-Ronald Hayman. I know the difference and though I&#8217;m no longer no one&#8217;s victim, by associating with artists in various stages of evolution, conflict is inevitable.<\/p>\n<p>Lately, a veritable zoo of of animals stampedes my dreams <em>and<\/em> reality. Fortunately, I am able to distinguish between the two! Bear, deer, serpents. Someone was holding the head of a . . . <!--more-->rodent-a weasel perhaps-in their hand; a bloody mess, the mouth silently, eerily opening and shutting, pointy teeth gnashing. I was horrified, turned away and when I looked back, it was dead, which was equally distressing.<\/p>\n<p>Bear on Bowen Island! The last two that swam over from the Sunshine Coast or the North Shore were killed as they quickly became <em>nuisance bears.<\/em> No place to roam around here. Too bad the poor thing can\u2019t be <em>socialized<\/em>, taught to stay out of chicken coops and human garbage. That\u2019s like wishing deer would look both ways before crossing the road.<\/p>\n<p>I saw a garter snake in the woods yesterday, my terriers oblivious, its camouflage so effective, movements indistinguishable from the forest floor&#8217;s twigs and debris. No scent apparently and certainly, no legs. A friend with a snake phobia-<em>ophidiophobia<\/em>-refuses to even utter the word, referring to them as \u201cthose-creatures-without legs.\u201d Then last night I read the Plath poem, <em>Totem<\/em>, wherein \u201cThe engine is killing the track, the track is silver, \/ It stretches into the distance. It will be eaten nevertheless.\u201d<\/p>\n<p>I will move forward irresolutely as a locomotive. There is no time for paralysis as I race to keep my tail out of death&#8217;s  incisors. I <em>will<\/em> meet deadlines. I will write, no matter how small and pathetic I may feel.<\/p>\n<p>I am re-posting this poem from <em>Three Blocks West of Wonderland<\/em> because of its reference to animals, wild and domesticated, real and imagined.<\/p>\n<p><strong>YEAR OF THE MONKEY<\/strong><\/p>\n<p>Full house. Madhouse. Ill-fated deejay,<br \/>\njester fixed to his back, grinding out tunes<br \/>\nin celebration of our new digs, life,<br \/>\nin the forest, despite the clear-cutting<br \/>\na hundred years ago. There is talk<\/p>\n<p>of the I-Ching. This will be<br \/>\nan extremely progressive time predicts<br \/>\na guest with faith enough to practice.<br \/>\nMonkeys are shrewd. Agile.<br \/>\nYou will find great success in 2004.<\/p>\n<p>Happy New Year! A toast. To the pileated<br \/>\nwoodpeckers, heard more than seen. Cheers!<br \/>\nTo the deer phantoms, droppings molding<br \/>\nin the front meadow. Where do they go<br \/>\nin the winter? Why don\u2019t I know these things?<\/p>\n<p>We make clumsy attempts at lighting a fire,<br \/>\nheating the house, woodstove couched<br \/>\nand cold-shouldered as a guerilla soldier<br \/>\nbrooding over such hatchet-challenged wimpiness.<br \/>\nWe brave the Jacuzzi though. January. Naked ape it<\/p>\n<p>on the deck, body sculpting with our bare hands,<br \/>\npale-faced moon playing peek-a-boo<br \/>\nwith the ridgeline, a breeze stroking our backsides.<br \/>\nAn owl hoots, hunting through lushness.<br \/>\nRed-eyed towhees flit through a labyrinth<\/p>\n<p>of sword fern, mist the only smoke around here.<br \/>\nDesires in the mirror,<br \/>\nsmudges of dread<br \/>\nsurfacing on its beveled edges<br \/>\nwhenever we\u2019re not looking.<\/p>\n<p>Twin cedar sentinels stand guard<br \/>\nagainst the cougar I saw mounting our pup.<br \/>\nWhen it began stalking the neighbour\u2019s pony<br \/>\nI knew I would need a rifle.<\/p>\n<p>I\u2019m evolving. From a dinky urbanite on all fours,<br \/>\nto a big, eagle-eyed, straight-shooting, cause-<br \/>\ncommitted, river-of-life channeling, chainsaw-<br \/>\nhung, 4 by 4 pickup piloting Homo Erectus <em>islander<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Don&#8217;t tread on me! In a funk, discombobulated, plagued with a nasty headache and nightmares as I scramble to meet two hard deadlines, recovering from a low blow by our (former) collaborator who \u201cterminated\u201d our video projects. Terminal City? He might very well have succeeded but happily, I&#8217;m working with the inimitable Chris Coon, my [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[78,149,152,324],"_links":{"self":[{"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=\/wp\/v2\/posts\/346"}],"collection":[{"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=346"}],"version-history":[{"count":0,"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=\/wp\/v2\/posts\/346\/revisions"}],"wp:attachment":[{"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/heatherhaley.com\/hh2\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}