Tag Archives: Three Blocks West of Wonderland

Live from Lumsden!

On a plane, heading to Sage Hill for 10 days of writing, editing and working on my fiction, book launch behind me.  Everything came together to form a fabulous, momentous occasion. Good crowd. I sold a swack of books!  At W2 Storyeum we were provided with a lovely, spacious room replete with giant, fantastic mural on one wall. “Word wizard” Kedrick James is decidedly the host with the most, providing much mirth and mischief throughout. Shannon Rayne in her adorable pixie cut kicked things off. Shannon makes a distinction between poems for performance and poems for the page. I think she said her closing piece about cunnilingus was written for the page. I must write them for voice. Hey, whatever it takes. Then we darkened the room for the world premiere of Bushwhack. I was a little concerned because Continue reading

Pushing past mania. . .

I hope! Here I sit, looking past my screen out my window at the Strait of Georgia to the islands beyond, Mayne, Pender, Galiano, wishing I could appoint the trees and sky as muses but there is simply to much to attend to, book launch party-wise to get much writing done. I will persist though, have at least a few more hours to compose. Check out Daniel Zomparelli’s article about it at Geist. Thanks Daniel! I’m getting excited, found a lovely dress to wear at blushingboutique on Richards downtown and will start rehearsing tonight. See you Saturday!

“Roaming On” from THREE BLOCKS WEST OF WONDERLAND

Remember when you had to turn “Roaming” on your cell phone when you left your natural environment, vicinity, country? They’re pretty intuitive, universal now, right? I imagined a young rock luminary ducking rehab by fleeing to an island.

Roaming On

Stolen holiday. Far from rain flowers, unemployment,
asbestos, new town Basildon. Rangy teen virtuoso
activates Roaming on his mobile phone, eager
for a slice of country living, to court ravenous farmers’
daughters on Jersey, Guernsey, Alderney and Sark
and wonders, why do their cattle roam the earth?
Alfresco lobster lunches, no word for stress they say.
A tax haven. He scorns the salver of mini booze,

Sky Store catalogue, not in the market for pricey
cheap perfume, Gucci sunglasses. Not feeling
festive toward packets of party mix, he surveys
the movie, startled to hear a saw in its musical score.
Next to him, the butane-soaked Stratocaster he loves
to hump onstage. Bloomin’ airline won’t permit
his Marshal stack in the cabin though
despite his showmanship, dexterity.
Gobbling Valium, nicked from Mum, he drops off
to dream of hurtling through blue flame, ala Buddy Holly.

He survives to spy a Continue reading

“Paddling” from THREE BLOCKS WEST OF WONDERLAND

Never panic. Post 9/11 angst and guilt here in the *safe* zone.

PADDLING

Clouds of tulle, hushed cavern
suite, desiccated starfish, muted
conch, hurricane lamp decor. Five hundred
thread count sheets lulled her,
triple-moisture night serum, pilewort slathered.
Twitchy sleep, the lie of white lace.
Central nervous system, slipper socks seek the floor,
grope for codeine, find scars, blue bruises,
source blacked out. Yesterday’s kayaking lesson?

Low PH, high FSH. Every bleary morning
tea, tottering on the balcony, a smidgen
of remaining suppleness to torment. How tempting Continue reading

Tracking bear, deer, cougar, weasels; snaking past catastrophe

Don’t tread on me! In a funk, discombobulated, plagued with a nasty headache and nightmares as I scramble to meet two hard deadlines, recovering from a low blow by our (former) collaborator who “terminated” our video projects. Terminal City? He might very well have succeeded but happily, I’m working with the inimitable Chris Coon, my Bent Tail-punk rock cohort. (Impatient Youth, The Sleepers, The Woundz, Clocks of Paradise, No Alternative.) It’s a relief as well, to drive 15 minutes to a studio rather than 5 hours to record who-knows-where, or how, which saves heaps of money too; no more travel expenses.

Do we engineer the crises in our lives? In search of authentic experience, to provide creative stimulation? Certainly, it’s something artists, writers do. Is Van Gogh not equated with tortured? August Strindberg is another example: “Of humble origin and melancholy disposition, Strindberg was consumed by an insatiable desire for knowledge and a need for authentic existence.”-New Foundations. “Strindberg created experiences and pressured situations in order to write about them; he inflicted pain on himself to gain extra material and he became suicidal when fiction and reality were interpenetrating so deeply that he was scared of finding which was which.”-Ronald Hayman. I know the difference and though I’m no longer no one’s victim, by associating with artists in various stages of evolution, conflict is inevitable.

Lately, a veritable zoo of of animals stampedes my dreams and reality. Fortunately, I am able to distinguish between the two! Bear, deer, serpents. Someone was holding the head of a . . . Continue reading

My life in verse, or rather, OUR life in verse

Thus far, and including my poetry inside a bomb. See below.

I have several comrades in verse with whom I like to commiserate. We delight in bashing the already fractured literary scene, or scenes, belittling ourselves and our vocation—beating detractors to the punch—while bearing in mind it’s a shared passion and we’re damn good. Sadly, a way with words won’t  necessarily pay the rent. Despite the reality of the situation, my real and virtual friends keep composing the stuff. I’m currently enjoying Miranda Pearson’s Harbour and Clara Blackwood’s Subway Medusa, having recently completed Michael O’ Keefe’s eloquently and variously tragic or comic Swimming From Under My Father.

Other lunatic poetical friends go so far as to take it on the road! Coming to a (U.S.) town near you . . . My pal S.A. Griffin has cleverly devised THE POETRY BOMB Tour Of Words 2010 and according to my commemorative t-shirt, will be leaving Alburquerque, NM to play Austin, TX tomorrow. With all the years I lived in Los Angeles, S.A. is the only actor I befriended. Hmmm. Well, acting is his profession and like the aforementioned maniacs, verse, his obsession. This isn’t the first time S.A. has hit the road. He and the Carma Bums (Doug Knott, Michael Mollet, Mike Bruner, Scott Wannberg) toured relentlessly some of the most undomesticated, unsurpassed performance poetry I’ve been privileged to see.

Lately I’ve been working with my son on his Distance Ed classes, tutoring him in his poetry unit, using verse from my own collections to illustrate simile and metaphor. He detests it, naturally, but we’ve managed to write haiku and free verse and he knows the difference between a couplet, a quatrain and a stanza. I tried to persuade him there’s a close relation between song and verse, appeal to his passion for music but he’s not biting.

I’m spending less time on Facebook (the honeymoon may be over) and more at my own website which is getting spammed regularly, through this blog and WordPress I suspect. Our videopoems-Bushwhack and How To Remain are nearing the final stage of production as I prepare to go to Salt Spring Island to work intensively with my collaborateur Roderick Shoolbraid. Three Blocks West of Wonderland book launch parties are in the works. We better rehearse our AURAL Heather act as we are planning to perform at said launches. Yikes! With all this behind me soon, I intend to spend the remainder of 2010 focused on writing, though I will be working hard on our Visible Verse 10 year anniversary festival and celebration coming up in November. No rest for the wicked, or the poet, apparently.

SKY BUSTING from “Three Blocks West of Wonderland”

I’m working on a new one about Haida Gwaii while sucked into the Plath vortex again after finding a volume in a used book store. Not good. As moving as her work is, I wind up feeling weak, pathetic and unworthy. Still, I persist. Surely I must be mad as well.

SKY BUSTING

To the hillbilly born
a cursed monarch who swore
this pothunter could not be her blood
with his short gait, sight, temperament.
They must have abducted her
from a conclave of columned nobles,
the bastards, and this she declared
into her black lab’s ruff. Unless her peeps
traded her for gasoline in a time of war?
Splitting dog hairs, she knew this much;
she would never know.
She must adapt and learn. She scrubs
and sweeps though never convincingly,
swift clips to the noggin ever reminding her.

Neither was she popular with him in the marsh,
standing as he knelt next to her, shotgun
between them, instructing her how to squeeze Continue reading

Reading the ground with a bear’s eye

Frantic week behind, hectic week ahead but I always make time for a walk in the woods. Josef opened up some of the deer trails on our property recently which has encouraged my bushwhacking—or our bushwhacking—the mutts and mine. I love it when they kick up layers of needles, lichen and loam. Is there any richer smell? It’s a fairly strenuous workout, with all the climbing up and down boulders green with moss and crumbling cedar logs. Like all the islands and the Sunshine Coast, Bowen was clear-cut about 100 years ago. Imagine how convenient it must have been tossing all that timber into the ocean. I’m kidding. Sort of.

I spotted this remnant lying on the ground and it brought to mind the cover of Robert Bringhurst’s A Story as Sharp as a Knife. I’m no anthropologist—though I harboured aspirations at one time—but it would appear the shape could have inspired west coast native artists. It’s an eye! See?

A bear’s eye. Bringhurst talks of reading as an “ancient, preliterate craft. We read the tracks and scat of animals, the depth and lustre of their coats, the set of their ears and the gait of their limbs. We read the horns of sheep, the teeth of horses. We read the weights and measures of the wind, the flight of birds, the surface of the sea, snow, fossils, broken rocks, the growth of shrubs and trees and lichens. We also read, of course, the voices that we hear.”

Speaking of voices, I’m still recovering after hosting Penn Kemp at a boisterous salon on Saturday. Is that an oxymoron? Well, our salons get pretty festive. Penn is droll and vivacious, possessing a singular voice, literally, figuratively. She was a big hit with the 35 or so die-hards who turned out despite a nearly constant downpour, including some of my favourite urbanites Kyle Hawke, Warren Dean Fulton, Shannon Rayne and Rhonda Milne who took pleasure in the food, poetry and water taxi experience from Horseshoe Bay to Snug Cove. Penn had Josef perform some of her poetry in German! Now that’s a first, I’m glad we got pictures. I participated in another piece called Poem for Peace in Two Voices. Soundings—what Penn calls her readings, and sublimely sonic they are. Later, we let our hair down, madly dancing and rockin’ out, then lolled about in the hot tub before finally conking out around four in the morning. “Thanks to you, Beauty, for your magnificent presence and hospitality. What a hoot and holler! Glorious to be with you. And I so know how much work went into the grace of the evening!” Penn’s right. It was a hoot.

Last Thursday, I attended Anvil Press’s launch for a deluxe edition of Continue reading

POVs, or Redheads Rule Romania, from “Three Blocks West of Wonderland”

A long poem-for me-about my trip to Romania a few years back. Several Romanians have taken issue with it but I found their country fascinating. Every nation has it’s problems, challenges and usually, a turbulent history.

POVs

DAY 1

At Heathrow I am wan, so pooped my heart quits
palpitating. I stop scrutinizing threat level colour codes,
unattended backpacks, retreat to my insignificance,
listen as a wife recites The London Times,
as foreign to me as Rome’s Il Messaggero. Katrina who?
These are disturbing times, dear. Cartoonist hit lists.
Boils of slam. Novelist fatwas. Bird flu dread.
Spread by beak or spicy chicken wing?
Off to hotbed of Romania, host to more than one virus.
Online scamming. Corruption. HIV. European Union
bid in peril. Does the average Brit give a feck?
Do rhetorical questions require a question mark?

DAY 2

Bucharest terminal quiet but for the cabbies. I nearly miss
foundation staffer Caroline’s hand-inked sign.
She leads me to a young American with a Welsh name
and an English woman with a broken tooth. Wait here
while we search for the poet laureate of New Hampshire’s
luggage. Not another reality show, please. Pale silhouettes
amble past a riot of architecture, crepuscular on the banks
of the Dâmboviţa. Baroque. Modern. Renaissance. Gothic.
Squat, Soviet blocks abut opulent cathedrals.

DAY 3

Currency—lei—so overwhelms me with zeros I don’t buy
books or icons of Mary and the saints. Resistance heroes
in stone. An Arcul de Triumf and a monument
to the 89 coup d’état, Memorial of Rebirth, a tall, marble
pillar and orb locals scorn as the toothpick and the olive.
Redheads rule Romania now, mine violet in the gamut of tints,
ox blood to bozo carrot. I don’t blend in. Women in heavy kohl
stumble on cobblestones. Toward vogue. Glamazons vying
to be Continue reading

Gestation leads to frustration

Ah, it’s an artist’s life . . . the only life for me, alas. It appears Roderick (Shoolbraid) and I—AURAL Heather—are stuck. A filmmaker friend said he would help with crucial digital/special effects for our How To Remain video but has disappeared. I said we need to come up with a Plan B, Roddy. Not surprisingly he’s been wrapping his brain around the problem. “It’s old school,” he said of a possible solution. “I think it will work.” Fine by my old school self. Whatever it takes.

Frustrations on another front as well, the Bushwhack front, the book I’m collaborating on with Vancouver photographer Tina Schliessler. We’ve been seeking a publisher for a while and she is starting to second-guess the title and become discouraged. Par for the course Tina. It’s f***ing hard to get published and only getting harder as the medium dies out. Bushwhack is a powerful vision, a provocative book, finding a home for it a huge challenge under any circumstances. We must not weaken. We’ve decided to drum up a videopoem version and a gallery show which should help raise its profile and find a publisher. Ultimately. It took (too many) years to get Three Blocks West of Wonderland published. It sucks but that’s that’s show biz. Long gestation, longer frustration, what we artists are in for.